“So,” you ask, “how the hell are you going to sail a boat with no water?”Īh-ha! Well of course you get a boat and strap some hover-technology to it! How else?! “Well, wouldn’t that just render the point of the boat moot? And if Scooter’s Catch-A-Ride is still about, why not just ride on those?” To this I say… Shut up! …Okay? Damn it, I don’t know why this game sacrifices basic logic for flavour. Although, in case you didn’t pick up on Shade screaming about it in his ramblings, there is no water. So, naturally, I got a boat to help sail the 7-mile seas. I think Shade’s personality killed everyone.Īnyway, so off I go to do some run-around for Shade (including helping some surprisingly non-decomposed non-mummified bodies) and then set up some transportation to help find some buried treasure (y’know, so my time isn’t wasted). If others do enjoy Shade, though, fair enough. Partially because the noticeable ones are usually noticeable due to how often they appear with the same joke (time that could have been spent creating depth), ready to beat you to unconsciousness with it. For me, I just found it annoying and tedious every time Shade appeared to remind you that he really wants friends.Īre people able to find humour in 1-D characters you can not buy? Maybe it is just me who isn’t too thrilled every time a writer believes they can build a character just upon a singular punchline I personally think that often the comedy vehicle simply careens off a cliff. So it seems weird the idea that humour is able to be derived from an unbelievable character showcasing their singular characteristic (e.g. From there, humour like schadenfreude, black and slap-stick can then be created through relating to the situation. Ignoring the latter two, which tends to derive humour from analysing a concept and portraying it in a particular style, empathy partially requires the viewer to buy into and associate with what is going on. While I am not good at comedy, it does strike me that most forms of it are built upon either empathy, satirical, or absurdism. What feels unusual about Shade, I think, is just the mere concept of a human being as one-dimensional as Shade is for the purpose of being a comedy vehicle. Not due to the rarity of such a thing nor even rarity in the game, as it does rise every so often as a comedy predator. To me, this humour situation strikes me as unusual. He is, as I said in the subtitle, the worst Fear & Loathing tribute band. In fact, that is his only characteristic. Who, by the way, is lonely and wants you to know it time and time and time again throughout Booty Scarlet’s Quest For Pirate Captain. After staining the sands with blood, I got to meet the DLC’s version of Claptrap: Shade, who looks like a deranged version of Johnny Depp from Fear & Loathing In Las Vegas. So after I load up the game, went shopping for more backpack space, and experienced Marcus yelling at orphans, off I go into a town being raided by bandits for water (which, fortunately, had collected in a fountain but no one seemed to go anywhere near it, as though they knew something I didn’t). Perhaps if I do it chronologically, I can piece together what even happened. I know things happened, but my drink got spiked, I got my head beaten with a sap, and someone wiped my bloody nose (from cracking it on the pavement upon falling) with a chloroform rag.
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I went with pirates and, well, I don’t know how to feel because I don’t remember.
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Thumbing through the vast selection and glancing through recommended levels to play them (which I can tell we’re going to have a long long chat about this at some point), I had settled on a mental coin-flip between Captain’s Quest For Scarlet Booty and TORGUE’S FULL CAPS DLC. Instead, I ventured off into the wonderful (or woeful) world of DLC. So, like last time I was told to help him, I decided to do precisely not that. So, for those whose memory is as vague as mine, we last left off the previous Venture into the Borderlands with Rolo screaming at me to “follow the damn train, Axton!” If you’re new to the scene, you can find links to the previous parts at the bottom.
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